"How far does a spectator’s gender affect their viewing experience in contemporary cinema?"
Answer the question using your:
1. Spectatorship notes from the homework on the 4 key scenes in Clockwork Orange:
http://leighmediaa2filmsectionb.blogspot.co.uk/2014/03/homework-watch-clockwork-orange-and.html
See example of student who completed for detail and expected response:
http://lukenuttera2filmstudies.blogspot.co.uk/2014/03/clockwork-orange-emotional-response.html
2. The Grids you completed in class last week on The Home Invasion, The Treatment and the Interrogation Scene last weeks analysis using the Male Gaze:
http://leighmediaa2filmsectionb.blogspot.co.uk/2014/03/spectatorship-analysis-grid-video-essay.html
3. Share the Grids and Carousel - catalogue the different Interpretations/Emotional Responses
4. Reduce the analysis to interpret how the film can be read using the Male Gaze.
How does this address the question?
"How far does a spectator’s gender affect their viewing experience in contemporary cinema?"
New Info:
The Mirror Stage: Black Swan
http://alistasi.com/2010/12/08/black-swan-review/
http://www.rogerebert.com/far-flung-correspondents/through-a-swan-darkly
Highlight the relevant points to do with Gendered Reading - by feminists, male audiences?
Conclusion:
What debates surroung using The Mirror Stage and The Male Gaze in answering the question?
http://putlocker.bz/watch-black-swan-online-free-putlocker.html
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